Terry Greene

I should perhaps say from the outset that I do not consider myself a photographer, I am not concerned with … More

Kitty Winslow

The primary series is the Sense of Place. I work back and forth between the two. When I need  clarity or … More

Trudy Benson

I generated this printout as a reference for Paint, which is a part of an ongoing series of paintings inspired … More

Ridley Howard

My work has often been, on some level, about space. Even in the earliest and most illusionistic, I was thinking … More

Karla Wozniak

I’m deeply inspired by the boots-on-the-ground views of the American landscape of photographers like William Eggleston, Garry Winogrand, and Robert … More

Mamie Holst

I’ve been working on the black/white/grey “Landscaping Before Dying” series since 1997.  In 2010 I found some old color pencils … More

Nate Ethier

Working on paper is a way for me to quickly find new images and ideas. It’s also a great way … More

Jasmine Justice

Sometimes I really love the initial image I get from the first stage of making a painting. It’s not what … More

Cary Smith

I try to make paintings that have extreme visual clarity, lightness of being with depth, severity, variation, and complexity, while remaining … More

Holly Coulis

Here is a recent painting called Fog, and its little pal, Orange Roses.  I chose this one because there’s a … More

Susan Post

Not only is “Grey Checkerboard” (oil on linen, 16″ x 20″, 2010) neither square nor based on a composition of … More

Vincent Hawkins

Today I realised the bicycle in The Studio Loo and the painting I have been making are closely related… Now … More